Danny Torrance has been through enough weird stuff in life that a psychic cat doesn’t faze him, even if it is named after the Angel of Death for good reason.
One of the coolest and most mysterious cameo characters in Doctor Sleep, Stephen King’s sequel to The Shining, is Azreel the cat (named for the Judeo-Islamic Angel of Death, Azrael, though King spells it with a double-e). He appears in the 2013 novel and the 2019 movie.
Adult Dan Torrance finds himself working as a hospice orderly in New Hampshire, where he uses his “shining” talent to help dying residents cross over when their time comes. And his trusty sidekick comes in the form of the fuzzy and preternaturally wise Azreel, the nursing home’s resident cat who has a knack for predicting when someone is about to die.
Azzie is described in the novel as a stray that wandered in off the street and got adopted by guests, and he’s said to never have been wrong in his predictions in the six years he’s been around. He wanders the nursing home freely, lounging where he pleases, coming around for his twice-a-day bowl of Friskies, but he’s also regularly found outside of residents’ rooms when it’s their time to go.
When staff see Azzie outside someone’s door, they don’t call a doctor; they call Doctor Sleep, a.k.a. Dan Torrance. Dan follows where Azzie leads, and together they comfort people as they move on to the next plane of existence—Dan with a psychic projection of the person’s fondest memories, Azzie with a steady purr and reassuring weight on their legs.
Dan’s colleagues call Azzie Dan’s assistant and, despite the cat belonging to no one in particular, insist he’s Dan’s cat because of their unique bond.
You may have heard the real-life story of Oscar the cat, a therapy cat who lives in a Rhode Island nursing home and got his 15 minutes of celeb-purr-ty (good one, me) in 2007 because of his track record predicting the deaths of terminally ill patients. King said in an interview Oscar was the inspiration for Azreel.
In fact, he inspired the whole novel. To quote King from his interview: “I saw this piece on one of those morning news shows about a pet cat at a hospice, and according to this story the cat knew before anybody else when somebody was going to die. I thought to myself: ‘I want to write a story about that.’ And then I made the connection with Danny Torrance as an adult, working in a hospice. I thought: ‘That’s it. I’m gonna write this book.'”
Oscar’s style is similar to Azzie’s, choosing to nap next to people a few hours before they die. The theory is that Oscar can smell biochemicals released by dying cells. His ability his been debated, but I prefer to think like King that he’s just a psychic little Angel of Death.
Can we just take a second to appreciate how Kubrick-Shining that hallway shot is? Thoughtful touches like this are one of the many reasons I love the Doctor Sleep film. The director Mike Flanagan killed it in the adaptation department. AnYwAy, we’re here to talk about cats, but I highly recommend this movie.
By the end of the book after many years have passed, Azzie is still alive and kicking, albeit with a limp, doing his spooky stuff around the hospice. He’s even in the last few pages, assisting Dan with a special patient. It’s a lovely scene that makes my eyes do this weird watery thing… King is not afraid to write about death, and there’s a lot of comfort to be found in watching his characters cope with it.
And if death includes a warm, purring cat by your side, there are worse ways to go.
When evening gave way to night and the pulse of Rivington House slowed, Azzie became restless, patrolling the corridors like a sentry on the edge of enemy territory. Once the lights dimmed, you might not even see him unless you were looking right at him; his unremarkable mouse-colored fur blended in with the shadows.
He never went into the guest rooms unless one of the guests was dying.
Then he would either slip in (if the door was unlatched) or sit outside with his tail curled around his haunches, waowing in a low, polite voice to be admitted. When he was, he would jump up on the guest’s bed and settle there, purring. If the person so chosen happened to be awake, he or she might stroke the cat. To Dan’s knowledge, no one had ever demanded that Azzie be evicted.
They seemed to know he was there as a friend.—Stephen King, Doctor Sleep
If you want something you can have it, but only if you want everything that goes with it, including all the hard work and the despair, and only if you’re willing to risk failure.—Philip Pullman, Clockwork
In a Station of the Metro
by Ezra Pound
The apparition of these faces in the crowd:
Petals on a wet, black bough.
The genre: YA
The gist: Prequel to The Hate U Give about Maverick, Starr’s dad, as a seventeen year-old.
The review: Just as good as The Hate U Give 👌
This prequel is the origin story of Maverick, Starr from The Hate U Give‘s dad, and it shows everything he went through to become the outstanding husband and father he is in THUG.
Concrete Rose is about a young Black man who faces obstacle after obstacle but keeps pushing, who makes mistakes but bravely owns up to them. He faces the pressures of gang life, poverty, he struggles to keep up at school when he has heavy responsibilities at home. He often feels hopeless and lost, but he never stops trying to be a good person.
Seventeen-year-old Maverick exemplifies what his future wife Lisa says in THUG: No matter what the world throws at you, “the key is to never stop doing right.”
The wrap-up: Everyone should read Angie Thomas’s books.
The rating: ⭐⭐⭐⭐⭐/5
Roses can bloom in the hardest conditions.—Angie Thomas Concrete Rose
Eleanor was right. She never looked nice. She looked like art, and art wasn’t supposed to look nice; it was supposed to make you feel something.—Rainbow Rowell, Eleanor & Park
Lolita Podcast is super interesting.
It’s about the 1955 novel by Vladimir Nabokov and all the adaptations and pop culture it spawned.
More importantly, it’s about the anti-abuse intention of the novel vs. the patriarchal canon framing it as “a great love story.” It’s about Dolores Haze, the fictional twelve-year-old victim in the novel, vs. the “seductress Lolita” we see in pop culture.
From high fashion campaigns, to countless pop and rock songs, to questionable film and stage adaptations, and so much more, Lolita gets glamorized in Western society without much reference to its horrifying source text. It’s romanticized as a forbidden love story—a sexually mature nymphette and a misunderstood older man against the world.
All this, when the actual novel is about a pedophile grooming, manipulating, kidnapping, and raping an underaged girl.
Hm. Wonder who benefits from making the culture at large view Humbert and Lolita as a love story. (Hint: It’s not young girls.)
Hosted by comedian Jamie Loftus, this podcast is extremely well-researched and sensitive to the topic. It’s only 10 episodes, so it’s pretty finish-able.
Listen wherever you listen to podcasts, or check it out at iHeart here.